Tear-Drenched Earth: Cinema and the Partition of India
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Modernities and the Popular Melodrama: The Suchitra–Uttam Yug in Bengali Cinema
To stage or not to stage: Performing Tagore’s Plays
Failed Masculinities: The Men in Satyajit Ray’s Films
ReFocus: The Films of Shyam Benegal
Hinglish Live: Language mixing across media
The Journey of Hindi Language Journalism in India: From Raj to Swaraj and Beyond
Bombay Cinema's Islamicate Histories
Tollygunge to Tollywood: The Bengali Film Industry Reimagined
Cinemas Dark and Slow in Digital India
DigiNaka: Subaltern Politics and Digital Media in Post-Capitalist India
Where Histories Reside: India as Filmed Space
Rethinking Social Justice
Charlie Chaplin
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Mysteries of the Mundane: The Films of Girish Kasaravalli
Media’s Shifting Terrain: Five Years that Transformed the Way India Communicates
The Writings of M. T. Vasudevan Nair
Politics As Performance: A Social History of the Telugu Cinema
The Popular Arts
A Very Old Machine - The Many Origins of the Indian Cinema 1840–1930
Level Crossing: Railway Journeys in Hindi Cinema
Fiction to Film: Ruth Prawer Jhabvala’s The Householder and Heat and Dust
Raja Yudhisthira: Kingship in Epic Mahabharata
Haunting Bollywood: Gender, Genre, and the Supernatural in Hindi Commercial Cinema
Raga’n Josh : Stories from a Musical Life
Performance and the Political: Power and Pleasure in Contemporary Kerala
Doing Style: Youth and Mass Mediation in South India
Cinema of Enchantment: Perso-Arabic Genealogies of the Hindi Masala Film
The Melodramatic Public :Film Form and Spectatorship in Indian Cinema
Public Interest Journalism : A Guide for Students
Covering and Explaining Conflict in Civil Society
Rabindranath Tagore : One Hundred Years of Global Reception
Cine-Politics: Film Stars and Political Existence in South India
Out of Line : Cartoons, Caricature and Contemporary India
Bombay before Bollywood: Film City Fantasies
Radical Rabindranath: Nation, Family and Gender in Tagore’s Fiction and Films
The 'Medieval' in Film: Representing a Contested Time on the Indian Screen (1920s-1960s)
Censorium: Cinema and the Open Edge of Mass Publicity
Tales of Athiranippadam
Producing Bollywood: Inside the Contemporary Hindi Film Industry
Media and Modernity: Communications, Women, and the State in India
Politics as Performance
Play: Experiential Methodologies in Developmental and Therapeutic Settings
Bollywood in the Age of New Media: The Geo-televisual Aesthetic
Silent Storm
A Companion to Translation Studies
Original English Film Scripts
States of Sentiment: Exploring the Cultures of Emotion
The Small Voice of History: Collected Essays
Global Bollywood: Travels of Hindi Song and Dance
Celluloid Deities: The Visual Culture of Cinema and Politics in South India
Mourning the Nation: Indian Cinema in the Wake of Partition
Women in Malayalam Cinema: Naturalising Gender Hierarchies
History through the lens - Perspectives on South Indian Cinema
Bombay Cinema: An Archive of the City
Cinema and Censorship: The Politics of Control in India
The Essential Mystery: Major Filmmakers of Indian Art Cinema
The Chomsky Effect: A Radical Works Beyond the Ivory Tower
Beyond the World of Apu – the films of Satyajit Ray
A Geopolitics of Academic Writing
The Cinematic ImagiNation: Indian Popular Films as Social History
Towards Freedom
The Films of Buddhadeb Dasgupta
Our Films Their Films
Princess Promila